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LATEST WEDDING CHOLI DESIGNS

In the entire hubbub of wedding dress selection, a most important element is left for the last minute maneuver – the choli or the blouse. Trust us, a lot can happen if you pay more heed to this small basic clothing. The choli designs are in vogue now after its raised importance. We will help you get the right couture for your choli so that it complements your lehenga or saree.

The Cosmopolitan

If budget is not a constraint for you, indulge in a shining golden blouse or a sparkling silver one. The best part about such fares is you can pair it up with any shades, and in turn look ravishing. Depending on when you want to wear them, you can either pair it with chiffon on georgettes for Sangeet and Mehendi ceremonies or wear it on for your D-Day with heavier fabrics.

Contrast is in

These days having the same build all through a wedding attire is not an interesting thing as far as brides are concerned. Contrast rules here. You can add a lot of razzmatazz to your outfit by wearing acholi that is diametrically opposite of the color of your lehenga or saree. Like, you can couple a pinklehenga with an orange blouse or a blue one. Pair up your navy blue saree with a burgundy colouredand heavily embellished blouse.

Cut it out

If style is all that matters to you and you are game for some body flaunting, then get blouses with plunging necklines and half-capped sleeves to add oomph to your appearance. You can also go in for halters, straps or off-shoulder cholis.

Embellishment touch
Embellishments in the form of sequins, beads, embroideries and crystals can be added to your choli. The benefit of having a heavily laced design on your choli is that you can wear a lighter shadelehenga or a saree and still look spectacularly stunning.

LATEST EVENING GOWN

 The vibrant court life of the 16th and 17th centuries with its focus on art, literature and music created a fertile environment for feminine formal clothing. Elaborate dinners, dances, and theatre productions allowed fashionable ladies to showcase their finery. The Italian Renaissance courts were the pinnacle of style and elegance in Europe. With the advent of the Baroque era, the focus began to shift to France and the court of Louis XIV. 17th century court dresses featured draped skirts with long trains, tight bodices, low necklines trimmed with lace, and embroidered, lace- and-ribbon-trimmed full sleeves. Rick silk weaves, such as satin, taffeta and velvet created luxurious gowns. In the 18th century, formal dress started as the mantua, but later developed into the elaborate sack-back gown. The farthingale so popular during the 16th/17th centuries, evolved into the pannier to give dresses and skirts extra volume and the desired court silhouette.

BROCKET SAREE DESIGNS

  These saris are historically considered to be among the finest saris in India and are known for their gold and silver brocade or zari, fine silk and opulent embroidery, and being highly sought after. These saris are made of finely woven silk and are decorated with intricate design, and because of these engravings, these saris are relatively heavy. Their special characteristics are Mughal inspired designs such as intricate intertwining floral and foliate motifs, kalga and bel, a string of upright leaves called jhallar at the outer, edge of border is a characteristic of these sarees. Other distinctive features are Heavy gold work, Compact weaving, figures with small details, metallic visual effects, pallus, jal (a net like pattern), and mina work.These saris are an inevitable part of any Indian bride's trousseau.

Depending upon the intricacy of designs and patterns, a sari can take anywhere from 15 days to a one month and sometimes up to six months to complete. Banarasi saris are mostly worn by Indian women on important occasions such as when attending a wedding and are expected to be complemented by the woman's best jewelry.

Banaras is one of the rich weaving craft centre of India, famous for Brocade saris and allover dress material. Exclusive varieties of the saris are Jangla, Tanchoi, Vaskat, Cutwork, Tishu, and Butidar which are made of silk warp and silk weft, on plain/satian ground base, brocaded with extra weft patterns in different layouts introducing Buties, Bells, creepers, Buttas in ground, border and Anchal for getting glamours appearance. As in the History of the India Banaras is known since regveda about 1500 year 2000 year BC and also a period of Ramayana and Mahabharat come to know identical reference about the fame of Banarasi Sharee and Fabrics as known Hiranya Vastra (Putamber Vastra). In the ancient time Banaras was famous for the weaving of cotton saree and dress materials, but slowly switched over to silk weaving, during the Moghal period around 14th century weaving of brocades with intricate designs using gold & Silver threads was the speciality of Banaras.

Banaras is one of the rich weaving craft centre of India, famous for Brocade saris and allover dress material. Exclusive varieties of the saris are Jangla, Tanchoi, Vaskat, Cutwork, Tishu, and Butidar which are made of silk warp and silk weft, on plain/satian ground base, brocaded with extra weft patterns in different layouts introducing Buties, Bells, creepers, Buttas in ground, border and Anchal for getting glamours appearance. As in the History of the India Banaras is known since regveda about 1500 year 2000 year BC and also a period of Ramayana and Mahabharat come to know identical reference about the fame of Banarasi Sharee and Fabrics as known Hiranya Vastra (Putamber Vastra). In the ancient time Banaras was famous for the weaving of cotton saree and dress materials, but slowly switched over to silk weaving, during the Moghal period around 14th century weaving of brocades with intricate designs using gold & Silver threads was the speciality of Banaras.

 Brocade refer to those textiles where in patterns are created in weaving by transfixing or thrusting the pattern-thread between the warp. In regular weaving the weft thread passes over and under the warp thread regularly. But when brocade designs in gold, silver silk or cotton threads are to be woven, special threads are transfixed in between by skipping the passage of the regular weft over a certain number of warp threads (depending upon the pattern) and by regularising the skipping by means of pre-arranged heddles for each type of patterning. There may be several sets of heddles so arranged that on different occasions, they raise and depress irregular number of threads in turn, as required by the exigencies of the pattern. Zari-brocades-When gold and silver threads are use along with or without silk-threads, thrust either as special weft or warp to create glittering raised or-namentation. We have the Zari brocade kind of fabrics. When we talk of gold or silver threads. It is to be under stood that the gold,threads are actually only silver threads with gold polish and that these threads are obtained by closely winding extremely fine gold or silver wire around a silk thread. According to Sir George Watt, When the gold and silver threads were used so densely that the ground was hardly visible, the material was kinkhab proper and was too heavy for clothing, it was therefore used for trappings, hangings and furnishing. Only that material in which the Zari patterns were scattered was true brocade. This was used for clothing.

Brocade refer to those textiles where in patterns are created in weaving by transfixing or thrusting the pattern-thread between the warp. In regular weaving the weft thread passes over and under the warp thread regularly. But when brocade designs in gold, silver silk or cotton threads are to be woven, special threads are transfixed in between by skipping the passage of the regular weft over a certain number of warp threads (depending upon the pattern) and by regularising the skipping by means of pre-arranged heddles for each type of patterning. There may be several sets of heddles so arranged that on different occasions, they raise and depress irregular number of threads in turn, as required by the exigencies of the pattern. Zari-brocades-When gold and silver threads are use along with or without silk-threads, thrust either as special weft or warp to create glittering raised or-namentation. We have the Zari brocade kind of fabrics. When we talk of gold or silver threads. It is to be under stood that the gold,threads are actually only silver threads with gold polish and that these threads are obtained by closely winding extremely fine gold or silver wire around a silk thread. According to Sir George Watt, When the gold and silver threads were used so densely that the ground was hardly visible, the material was kinkhab proper and was too heavy for clothing, it was therefore used for trappings, hangings and furnishing. Only that material in which the Zari patterns were scattered was true brocade. This was used for clothing.