Sunday, 6 January 2013

STYLISH ACCESSORIES








Scarves

Every fashionable girl knows that scarves aren’t just for winter anymore! This staple is great for adding an unexpected burst of colour, or introducing a different texture to your outfit. Experiment with patterns, draping, and styling to create a look that’s unique and put-together.Every fashionable girl knows that scarves aren’t just for winter anymore! This staple is great for adding an unexpected burst of colour, or introducing a different texture to your outfit. Experiment with patterns, draping, and styling to create a look that’s unique and put-together.



Bags

I’ll be the first to admit it: When I’m on campus, the only bag in my life is a backpack! When I have to carry around textbooks, notebooks, and my laptop, I don’t mess around. Come weekends, however, I’m all about toting my stuff in style!
Whether you pick a purse that’s oversized, crosses your body, or falls somewhere in between, there are a ton of options out there that are both pretty and practical. WIth so many choices, it’s easy to find something that complements (and adds to!) whatever you’re wearing.


Even a single piece of jewelry can polish up a basic outfit. If you’re looking to experiment with this staple, you can find fun, inexpensive jewelry at stores such as  . Look for pieces with intricate bead work, a pop of color, sparkly crystals, or interesting shapes to add eye-catching detail to otherwise ordinary outfits. “Signature” pieces of jewelry, like an initial necklace or statement ring, are perfect for daily wear.Even a single piece of jewelry can polish up a basic outfit. If you’re looking to experiment with this staple, you can find fun, inexpensive jewelry at stores such as Look for pieces with intricate bead work, a pop of color, sparkly crystals, or interesting shapes to add eye-catching detail to otherwise ordinary outfits. “Signature” pieces of jewelry, like an initial necklace or statement ring, are perfect for daily wear.

Saturday, 5 January 2013

cocktail dresses

cocktail dress, which is shorter and exposes more leg! Choose from short dresses with unique patterns like floral or animal or dresses with beading embroidery and embellishments. If simple is more your taste, make a statement in a solid dress in this upcoming season's most trendy colors like neutral pinks or bold blue and red. Short dresses with revealing necklines are perfect for any evening event and offer a chic sexy look that is sure to get you noticed! A short dress whether in black or white will be sure to catch attention formal and informal short dresses have features unique from any other designer. Tulle underlay, various colors and sizes of beads and stud embellishments, exposed zippers and rosettes make i dresses fashion-forward and distinguished. Buying a short dress investing in a timeless piece that will be appropriate for many occasions. Aside from bold prints, colors, and detailing, investing in a timeless piece that will be appropriate for many occasions. Aside from bold prints, colors, and detailing, investing in a timeless piece that will be appropriate for many occasions. Aside from bold prints, colors, and detailing, 




fashion-forward and distinguished. Buying a short dress investing in a timeless piece that will be appropriate for many occasions. Aside from bold prints, colors, and detailing, investing in a timeless piece that will be appropriate for many occasions. Aside from bold prints, colors, and detailing, investing in a timeless piece that will be appropriate for many occasions. Aside from bold prints, colors, and detailing



   

, Once you know the general style and silhouette that you want on your plus-size prom dress, you can turn your attention to details like colors, materials, prints, patterns and embellishments. A broad palette of stunning colors is available, so you can narrow things down that way with ease. Plenty of patterned dresses are offered too, so you can stay on the cutting-edge of fashion while enjoying the perfect fit. Materials range from the sublimely silky to the softly diaphanous. In terms of embellishments, everything from ornate appliques to finely sparkling beads liven up today's most popular plus-size prom dresses.

Accessorizing

Accessories allow you to put your own unique twist on the prom dress that you have selected. They also make it easy to let your personality shine through in a striking way. The types of accessories that will work best with your plus-size prom dress will depend on the silhouette, style, color, pattern and overall design that you choose. The simplest rule of thumb to keep in mind is that simple accessories work well with ornate dresses and vice-versa. When in doubt, keep the accessories simple. Shop New York Dress to find everything from gorgeous earrings to picture-perfect shoes.

Blouse designs

the pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

1. Beautiful and simple work raw silk saree blouse design in  Purple color with short sleeves and kundan, sequins work embellished heavy applique around the neck and on the hands. Matching purple color heavy stones and white zircon stones highlight in the blouse.
2. Deep Maroon silk puffed sleeves saree blouse design with heavy yellow and maroon stone, sequins, crystals work embellished around the neck and sleeves with designer 'V' neck. Nice gold thread maggam work highlighted in the blouse, suitable for silk sarees and light color plain sarees.





bridal makeup



The bridal wear for south Indian weddings is no exception from the glitter and regal luster which are already a part of most South Indian weddings. The heavily embroidered south Indian silk sarees are still a big hit among most south Indian brides. In fact, traditional Iyengar and Iyer brides need to drape the traditional 9-yard saree in the “madisar” style. The bridal sari is chosen with a lot of care and along with her make up and hair, the saree is topmost priority for every south Indian bride.





bridal jwellery designs

                                                         Jewellery designs

Jewellery can also be symbolic of group membership, as in the case of the Christian crucifix or Jewish Star of David, or of status, as in the case of chains of office, or the Western practise of married people wearing a wedding ring.
Wearing of amulets and devotional medals to provide protection or ward off evil is common in some cultures; these may take the form of symbols (such as the ankh), stones, plants, animals, body parts (such as the Khamsa), or glyphs (such as stylised versions of theThrone Verse in Islamic art).[6]











Beads are frequently used in jewellery. These may be made of glass, gemstones, metal, wood, shells, clay and polymer clay. Beaded jewellery commonly encompasses necklacesbraceletsearringsbelts and rings. Beads may be large or small; the smallest type of beads used are known as seed beads, these are the beads used for the "woven" style of beaded jewellery. Another use of seed beads is an embroidery technique where seed beads are sewn onto fabric backings to create broad collar neck pieces and beaded bracelets. Bead embroidery, a popular type of handwork during the Victorian era, is enjoying a renaissance in modern jewellery making. Beading, or beadwork, is also very popular in many African and indigenous North American cultures



Outside of Africa, the Cro-Magnons had crude necklaces and bracelets of bone, teeth, berries, and stone hung on pieces of string or animal sinew, or pieces of carved bone used to secure clothing together. In some cases, jewellery had shell or mother-of-pearl pieces. In southern Russia, carved bracelets made of mammoth tusk have been found. The Venus of Hohle Fels features a perforation at the top, showing that it was intended to be worn as a pendant.

Around 7,000 years ago, the first sign of copper jewellery was seen.[5] In October 2012 the Museum of Ancient History in Lower Austria revealed that they had found a grave of a female jewellery worker - forcing archaeologists to take a fresh look at prehistoric gender roles after it appeared to be that of a female fine metal worker - a profession that was previously thought to have been carried out exclusively by men.

Jewellery in the Indus Valley was worn predominantly by females, who wore numerous clay or shell bracelets on their wrists. They were often shaped like doughnuts and painted black. Over time, clay bangles were discarded for more durable ones. In present-day India, bangles are made out of metal or glass. Other pieces that women frequently wore were thin bands of gold that would be worn on the forehead, earrings, primitive brooches, chokers, and gold rings. Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women’s hair. The beads were about one millimetre long.
A female skeleton (presently on display at the National Museum, New Delhi, India) wears a carlinean bangle (bracelet) on her left hand.
According to Hindu belief, gold and silver are considered as sacred metals. Gold is symbolic of the warm sun, while silver suggests the cool moon. Both are the quintessential metals of Indian jewellery. Pure gold does not oxidise or corrode with time, which is why Hindu tradition associates gold with immortality. Gold imagery occurs frequently in ancient Indian literature. In the Vedic Hindu belief of cosmological creation, the source of physical and spiritual human life originated in and evolved from a golden womb (hiranyagarbha) or egg (hiranyanda), a metaphor of the sun, whose light rises from the primordial waters.[








TheEastern successor of the Roman Empire, the Byzantine Empire, continued many of the methods of the Romans, though religious themes came to predominate. Unlike the Romans, the Franks, and the Celts, however, Byzantium used light-weight gold leaf rather than solid gold, and more emphasis was placed on stones and gems. As in the West, Byzantine jewellery was worn by wealthier females, with male jewellery apparently restricted to signet rings. Woman's jewellery had some peculiarities like kolts that decorated headband. Like other contemporary cultures, jewellery was commonly buried with its owner.


They worked two styles of pieces: cast pieces and pieces hammered out of sheet metal. Fewer pieces of cast jewellery have been recovered. It was made by casting the metal onto two stone or clay moulds. The two halves were then joined together, and wax, followed by molten metal, was placed in the centre. This technique had been practised since the lateBronze Age. The more common form of jewellery was the hammered sheet type. Sheets of metal would be hammered to thickness and then soldered together. The inside of the two sheets would be filled with wax or another liquid to preserve the metal work. Different techniques, such as using a stamp or engraving, were then used to create motifs on the jewellery. Jewels may then be added to hollows or glass poured into special cavities on the surface. The Greeks took much of their designs from outer origins, such as Asia, whenAlexander the Great conquered part of it. In earlier designs, other European influences can also be detected. When Roman rule came to Greece, no change in jewellery designs was detected. However


Cro-Magnons had crude necklaces and bracelets of bone, teeth, berries, and stone hung on pieces of string or animal sinew, or pieces of carved bone used to secure clothing together. In some cases, jewellery had shell or mother-of-pearl pieces. In southern Russia, carved bracelets made of mammoth tusk have been found. The Venus of Hohle Fels features a perforation at the top, showing that it was intended to be worn as a pendant.

Around 7,000 years ago, the first sign of copper jewellery was seen.[5] In October 2012 the Museum of Ancient History in Lower Austria revealed that they had found a grave of a female jewellery worker - forcing archaeologists to take a fresh look at prehistoric gender roles after it appeared to be that of a female fine metal worker - a profession that was previously thought to have been carried out exclusively by men.

Although artistic display has clearly been a function of jewellery from the very beginning, the other roles described above tended to take primacy.[citation needed] It was only in the late 19th century, with the work of such masters as Peter Carl Fabergé and René Lalique, that art began to take primacy over function and wealthBeads are frequently used in jewellery. These may be made of glass, gemstones, metal, wood, shells, clay and polymer clay. Beaded jewellery commonly encompasses necklacesbraceletsearringsbelts and rings. Beads may be large or small; the smallest type of beads used are known as seed beads, these are the beads used for the "woven" style of beaded jewellery. Another use of seed beads is an embroidery technique where seed beads are sewn onto fabric backings to create broad collar neck pieces and beaded bracelets. Bead embroidery, a popular type of handwork during the Victorian era, is enjoying a renaissance in modern jewellery making. Beading, or beadwork, is also very popular in many African and indigenous North American cultures

Friday, 4 January 2013

chaniy choli designs


Kutch embroidery is an evolving expression of the craft and textile traditions of the Rabaris, a nomadic tribe in Gujarat.Kutch work is unique in the sense that a net is woven on a cloth using thread.The net is then filled in using the same thread by intricate interlocking stitches. The patterns are usually built around geometric shapes.This embroidery follows its own traditional design logic and juxtaposition of colours and motifs.[11] The Rohanas tribals of Kutch specialise in skirt work. The Sodhas use a geometric style for their embroidery. The Garacia Jats are experts in tiny embroidery on the yoke, which intermingles with red, orange, blue and green threads.


 Beautiful eye-catching color & Fabric of this Lehenga Choli are looking very amazing. Styles Indian unveils the new collection for the summer season. They look gorgeous & Its Designer pattern gives it a more delicate and feminine touch...comes With a Marvelous Bandhej Dupatta Both ends of the dupatta adorn with shells & Mirror attached with Silver Beads string which make a nice sound. It Contains Half Sleeves, Sequins, Shells & Round Neck Pretty Choli with Draw String At back part. You can try out this Unique Lehenga Choli for any festival this will Surely gives a Marvelous Look. Just buy this Excursive Designer Lehenga Choli.


Kutch embroidery is an evolving expression of the craft and textile traditions of the Rabaris, a nomadic tribe in Gujarat.Kutch work is unique in the sense that a net is woven on a cloth using thread.The net is then filled in using the same thread by intricate interlocking stitches. The patterns are usually built around geometric shapes.This embroidery follows its own traditional design logic and juxtaposition of colours and motifs.[11] The Rohanas tribals of Kutch specialise in skirt work. The Sodhas use a geometric style for their embroidery. The Garacia Jats are experts in tiny embroidery on the yoke, which intermingles with red, orange, blue and green threads. The Dhanetah Jats love embroidering broad pear-shaped mirrors using orange, black, yellow and red in chain stitch.