Blouse designs

the pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

the pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

1. Beautiful and simple work raw silk saree blouse design in  Purple color with short sleeves and kundan, sequins work embellished heavy applique around the neck and on the hands. Matching purple color heavy stones and white zircon stones highlight in the blouse.

2. Deep Maroon silk puffed sleeves saree blouse design with heavy yellow and maroon stone, sequins, crystals work embellished around the neck and sleeves with designer 'V' neck. Nice gold thread maggam work highlighted in the blouse, suitable for silk sarees and light color plain sarees.

3. Red malai silk saree blouse design with short hands, gold and silver combination maggam, jardhosi work around the neck with round neck pattern, gold poka dots all over the blouse, ready to ship this blouses.

This type of body painting is world famous for its traditional beauty; the art of their rituals and customs of Marwari caste. When we look through their designs, we get to see the unique presentations of henna, the use of various flowers, leaves, paisley [mango shape] and a strong reflection of the Indian tradition style. The most viewed part and also we can say the signature of Rajasthani and Marwari mehndi designs are the sculpture of bride and groom in almost all of their designs. The best part of Rajasthani design is its "mirror reflecting image" art. In it, both hands and legs are exactly the mirror to one another, which is why it is considered to be a really difficult art form.

he pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

he pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

 he pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

Blouse is the upper complementary portion of a Saree. with out uniquely designs blouse it seems incomplete. As usual we are here to cast light on the unique Saree blouse just see our collection.Blouse is the upper complementary portion of a Saree. with out uniquely designs blouse it seems incomplete. As usual we are here to cast light on the unique Saree blouse just see our collection.Blouse is the upper complementary portion of a Saree. with out uniquely designs blouse it seems incomplete. As usual we are here to cast light on the unique Saree blouse just see our collection.